Shot on film: Kodak Pro Image | Plaubel Makina 67 | Nikkor 80/2.8
The best medium format color film is kind of not made anymore. Yes, Pro Image still exist in 135, but Kodak does not make them in 120. Most people do not even know it was
Author: Bo
Shot on film: Kodak Tri-X | Plaubel Makina 67 | Nikkor 80/2.8
The most Iconic film: Tri-X. It is so iconic that brand new Leicas came with a roll of Tri-X. The film might not be everyone’s cup of tea, and it might not even be the
Shot on film: Ilford HP5 | Plaubel Makina 67 | Nikkor 80/2.8
I did a quick loop walking around Hong Phat Food Center in the Jade District. The black and white (BW) season has begun.
Shot on film: Bergger Pancro | Horizon Perfekt | KMZ Industar 28/2.8
I’ve seen a few photographers doing a year of black and white (BW) photos. That’s an excellent challenge, and good practice in general. Black and white eliminates an entire dimension of photography, forcing us to
Shot on film: Cinestill 800T | Konica FT1 | Konica Hexanon 50/1.4
Tungsten balanced film feels like a relic in today’s world, since our light sources have evolved towards the cooler colors of incandescent and LED. Moreover, modern digital post processing can color balance light sources are
Shot on film: Kodak Portra 160NC | Fujifilm GA645Wi | Fujinon 45/4
All photographers have gear acquisition syndrome (G.A.S.), which is almost incurable. Although lumped together, there are a few different types. Some people buy a camera for a look, or maybe the need for a special
Steens Mountain
Oregon is a very interesting and diverse state, from a landscape photographer’s point of view. All the way to the west, the rugged coast line hugs the Pacific Ocean, all of it protected by the